This is my answer to the planned obsolescence I see everywhere else. This is the work I do to stay honest, to remember how to make things with my own two hands, and to incubate the ideas that will become critical for my clients in the years to come.

I an indiscriminate with exactly what media I work with, but I often sketch by hand and use an ever-evolving toolchain to make visuals, music, and animations.

I’m hosting here a list of projects where I get my hands dirty with materials—whether it be gouache on Bristol, visualizations in a Python script, or patch cables on synthesizers.

Consider Paperboy Post my practice, and my career as the application of that passion. This is part of the source code that makes me who I really am.